Wednesday, December 4, 2019
How Shakespeare Portrays Othello and Iago as Villains in the Two Plays free essay sample
Shakespeareââ¬â¢s plays were written in the Elizabethan and Jacobean periods, where the villains brought entertainment value to the plays by their plotting. A villain is someone who is an enemy and plays a prominent part in the play. Often in Shakespeareââ¬â¢s plays, the villains are normally malcontent. A Malcontent is a type of person/character which is prominent in Elizabethan dramas, which is rebellious and wants to cause other people distress. Some great examples of Shakespeareââ¬â¢s villains are Richard III and Tamora. Shakespeare uses Elizabethan types of Villain in his plays Othello and Much Ado about Nothing and J. A. Cudden described them ââ¬Ëdevilishââ¬â¢ and an ââ¬Ëevil machinator or plotterââ¬â¢. Throughout Shakespeareââ¬â¢s plays Villains are in general antagonistic; they are against the good, innocent people in the play. This normally leads to a grave misfortune of others and often death. I am going to explore how Shakespeare portrays Villains through two well known villains called Iago from the tragedy Othello and Don John from the comedy Much Ado about Nothing. These villains are particularly excellent because they are not ââ¬ËBlood-thirstyââ¬â¢; they are devious and deceitful and operate with ââ¬Ësly treacheryââ¬â¢. These Malcontents play on the emotions of other characters until they stop thinking in a rational way.? Throughout both plays, Iago and Don John are Machiavellian as they effectively destroy the minds of people. Othello is a tragedy and throughout the whole play and thus Desdemona, Emilia, and Othello were killed. Although Much Ado about Nothing is a comedy it verges onto a tragedy towards the end, as Charles Gildon stated ââ¬ËSome of the incidents and discourses are more in a tragic strain he accusation of Hero is too shocking for either tragedy or comedyââ¬â¢; Iago and Don John are more similar than different but there are some obvious variations that made one better than the other. Of course, they were Iago was in a tragedy and Don John was in a comedy, so there were many effects that made them prominent vi llains in Shakespearian plays. In the tragedy Othello, Iago has a prominent part in the play and appears in a lot of the major scenes throughout the play, whereas, Don John in Much Ado about Nothing doesnââ¬â¢t appear a lot in the play. Both Don Jon and Iago live in a patriarchal time, so they used this to bring down their enemies. Women at that time were easy to manipulate on and they both try and make people think that they are being unfaithful. Iago never showed Othello physical proof that Desdemona was having an affair but he just implanted idea into Othelloââ¬â¢s head making him jealous. On the other hand, Don John showed what appeared to Hero with someone else. Although this is clever, his plan did not work in the end. The differentiation between the two villains was that Iago kept on going with his plan until he got what he wanted, and when Don Johns planned failed, he ran away. However, at end the both rogues got caught and detained. First Impressions are important in plays, whatever kind, because it affects our view of that particular character throughout the rest of the play. Itââ¬â¢s a lasting impact. In Act 1 Scene 1 of Othello we see Iago and Rodergio having an argument. This does not create an excellent opening impression of Iago, and we see him as a very pessimistic and livid man. This is because Othello promoted Michael Cassio not him. Iago used this to get revenge on Othello later on in the play. Even at the beginning of the play we see evidence of racism, and this carries on throughout the play. Iago describes Othello as ââ¬Ëthe Moorââ¬â¢ ââ¬Ëthick lipsââ¬â¢ ââ¬Ëthe devilââ¬â¢ this explores Iagoââ¬â¢s patronising, racist personality. Iagoââ¬â¢s use for these words is particularly striking because it emphasises his hatred for him. In Elizabethan times, black people were portrayed as ââ¬Ëdevilsââ¬â¢ and in early Church paintings, as the devils were always black. This is evident, when Emilia is dreadfully annoyed at Othello after he killed his wife later on in the play: ââ¬ËO, the more angel she, / And you the blacker devil! ââ¬â¢ When Iago declared ââ¬ËI follow him to serve my turn upon himââ¬â¢ informs us of his cunning plan to try and ensure that he gets power. In addition, he is pretending to be a supportive and pleasant towards Othello, to guarantee that he will get Cassioââ¬â¢s job. We learn a lot about Iago when he asserted ââ¬ËI am not what I amââ¬â¢ because ultimately heââ¬â¢s approachable on the outside but cannot be trusted. This created dramatic irony which is a main feature of this play. This creates dread and tension as the people in connection Iago with could be in danger, as we learn from later on the in play. Iago implies that Othello as animalistic, as he states ââ¬ËBeast with two backsââ¬â¢ and that Desdemona and Othello arenââ¬â¢t together because they love each other. This creates anger with Desdemonaââ¬â¢s father and further portrays as Othello an as bad evil man whoââ¬â¢s just looking for sex. Iago uses soliloquies to further develop his plans. He talks the audience his supreme intentions and reason for the plan for the downfall of Othello. This s one of few times when he is being completely honest, whereas Don John is contradictory to this way of villainy, as he describes himself as ââ¬Ëa plain-dealing villainââ¬â¢. In Act 1 Scene 3, itââ¬â¢s the first that time heââ¬â¢s alone stage on, and itââ¬â¢s the initial moments that he unleashes his thoughts first on whatââ¬â¢s happening. Iago uses ââ¬ËIââ¬â¢ a lot in his spee ch from lines 58-66 which emphasisââ¬â¢ his selfishness and self-confidence. Iago keeps his plans to himself with a small amount of help from Roderigo, an admittedly dumb young man, whoââ¬â¢s in love with Othelloââ¬â¢s wife. Othelloââ¬â¢s soliloquies are supremely spontaneous as he thought ââ¬ËHow? How? Letââ¬â¢s see. ââ¬â¢ This creates apprehension as we realise his earliest and foremost tactics for bringing down Othello. With showing little or no true emotion, the fact that he destroyed so many lives is shocking. Still in the end when his plan and Machiavellian character was revealed, he refused to speak and release his inner character. Act 3 Scene 3 in Othello, is an especially long scene where at the beginning, Othello is unaware of Desdemonaââ¬â¢s supposed affair with Cassio, but by the end he is convinced she is. Iago doesnââ¬â¢t tell Othello that sheââ¬â¢s cheating directly but Iago ââ¬Ëplants seedsââ¬â¢ in Othelloââ¬â¢s mind and waited for them to grow until Othello is positive that Desdemona is cheating. The time that this play was written, males did not want to be cuckolds and feared to be labelled wrongly. Othello didnââ¬â¢t accept that Desdemona was cheating u ntil Iago said that he will give him proof of her disloyalty. Therefore, Iago suggested ââ¬ËLook to your wife, observe her well with Cassio;ââ¬â¢ to create suspicion of Desdemona. He doesnââ¬â¢t insult Desdemona and Cassio in an extreme way; instead he regains his neutral position. He tells Othello to be ââ¬Å"neither completely suspicions nor completely trustful. â⬠So Iago doesnââ¬â¢t prove that thereââ¬â¢s anything going on between Desdemona and Cassio but in effect, Othello trust in Desdemona is ruined, and therefore doesnââ¬â¢t act the same towards her anymore. Iago says many things to reassure Othello that heââ¬â¢s not lying and he looks up to Othello, for example he said ââ¬ËMy Noble Lord-ââ¬Ë(page 104) which is coming back to the line he said earlier on in the play ââ¬ËI follow him to serve my turn upon himââ¬â¢. The stage direction ââ¬ËEnter John the bastardââ¬â¢ is quite prominent because it shows his low status. Don John may have used this as an excuse for his villain, as he is an outcast in society. The first we see Don John is in Act 1 Scene 1, where he is welcomed into Leonatoââ¬â¢s house. Whenever Don John enters the room the mood changes and no one seems to acknowledge Don John. Leonato seems to quickly welcome him but doesnââ¬â¢t seem to make conversation with him maybe because Leonato doesnââ¬â¢t that think Don John worth is speaking to as he is a ââ¬ËBastardââ¬â¢. In the 1984 BBC adaptation we see that Don John wears dark clothing which is a custom to lonely and sour character that doesnââ¬â¢t perceive well to other people. This is a contrast to the way in which the other characters are dressed as they are in bright colours and are in a joyful mood. In a way, this represents the feeling and villainous beliefs of Don John. The words of Beatrice suggest some disapproval of Don John as she whispered ââ¬ËHow tartly that man looksââ¬â¢ which informs the reader that he is bitter. Don John disgust for his half brother is known to many of his friends, as they can help him a great deal to conjure up a plan. His sidekick, Borachio, does a lot of work to help Don John when he couldnââ¬â¢t be bothered to do anything. When Don Johnââ¬â¢s plan failed, in Act 2 Scene 2 Borachio came up of a cunning plan to frame Hero of cheating, which is a plan that is carried on throughout the play. Don John appears more laid back, than Iago, because he is more determined to bring down his enemies. Iago even goes to the point of killing, but not directly. The reasons why Iago is this villainous character is unclear, but there are many suggestions on what could it be. For example, Iagoââ¬â¢s words ââ¬Å"Oh, beware, my lord of jealousyâ⬠implies that Iago wants to make Othello jealous. From saying ââ¬Ëoh, bewareââ¬â¢ suggests a warning not just for Othello but for Roderigo as well as he loves Desdemona. Jealousy is not the only reason for Othelloââ¬â¢s downfall but it undoubtedly has a pessimistic effect on Othello. Iago is full of spite and schemes to gain the promotion that Cassio acquired. Iago went to a big extent to get this promotion. He betrays, misleads, and murders close friends to gain that position. It appears that Othelloââ¬â¢s evilness towards others is just to amuse himself. This creates an ominous and menacing feeling towards Iago. He is digging for motives but actually canââ¬â¢t find a justifiable reason for his villainy, this suggest he just did it for the fun of it. Samuel Taylor Coleridge described Othelloââ¬â¢s behaviour as ââ¬Ëmotive-hunting of motiveless malignity. ââ¬â¢ As Don John is an open minded bastard in society, and other characters foresee him as suspicious and sly. After Don John had a recent rebellion against Don Pedro, they became friends again which may cause some concerns. Leonato doubts Don Johnââ¬â¢s faithfulness to Don Pedro by saying ââ¬Å"If you swear, my Lord, you shall not be forswornâ⬠. Even though Leonato is uneasy with Don John, he greeted him pleasantly. Don John is aware of Leonatos thoughts towards him by saying, ââ¬Å"I am not of many words, but I thank youâ⬠. When Don John said this line, it shows politeness, however his spite and hatred is revealed in Act 1 Scene 3. The public has no faith in Don John, so he might be dissatisfied with his ââ¬ËBastardââ¬â¢ place in society and therefore Don John might want to get back as society. Don John stated ââ¬Å"had rather be a canker in a hedge than a rose in his graceâ⬠and if he does any horrible, evil things itââ¬â¢s because ââ¬Å"it better fits my blood to be disdained of allâ⬠. When Don John said ââ¬Å"blood,â⬠it suggested that his was born a bastard and society pushes him out and thinks that he is ââ¬Å"evil. â⬠He feels that being a villain is a role heââ¬â¢s destined to play because of his origins. The fact that Leonato and Don Pedro are such good friends stings jealousy into Don John which also might determine the reasons of his villainy. Don John speaks rarely in this play and gives the audience little insight on his motives and his reaction to what is happening throughout the play. In conclusion, both villains are very similar in their ways; however they both have different ways approaching their goals. The way that Shakespeare portrays them in these plays are astonishing, as the villains bring down their enemies in such a way that other people wouldnââ¬â¢t expect them.
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